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Category Archives: Modern Times

The Analog Antiquarian

I’m very excited today to announce The Analog Antiquarian, a new companion site to this one. While this site continues to be, as the subtitle says, “a history of computer entertainment and digital culture,” the new one will be for “chronicles of worldly wonders” — more wide-angle history articles about some of humanity’s most amazing achievements, beginning with the Pyramids of Giza. Going forward, I’ll be posting new articles to the two sites on alternating Fridays.

Since this is a significant change, I feel I owe you an explanation of how we got to this point.

If you’d asked me a few years ago, I’d have told you that I’d be satisfied to leave behind as my intellectual legacy, as it were, a skeptical but passionate history of the fascinating new medium of interactive entertainment, stretching from its very beginning to however far I managed to get before I kicked the bucket. But I’ve found myself getting more and more creatively restless since then. Despite trying hard to tamp the restlessness down, I’ve slowly had to face the fact that I have more I want to say and more I want to try as a writer than this site’s format really allows for. It’s not so much that I’m tired of the endlessly interesting march of technology, aesthetics, and culture which I’ve been documenting here, as that I’m tired of only writing about those things.

All of this started to come to a head about eighteen months ago, when I started to look into the game of Civilization. As a game, it’s remarkable enough in its own right, but what really floored me was the stuff around the game, particularly the tech tree and the expansive view of human invention that it depicted. To be honest, I sort of fell in love with the thing.

My first thought was thus to write a history of human invention, to explain how we got from primitive but fundamental technologies like pottery to the moon landing and the Internet. I hired a programmer to work on an interactive tech tree of my own which would show how it all fit together, how this begot that; clicking on developments on it would take you to the articles associated with those developments. But we never could arrive at a design that was unarguably more intuitive than a simple table of contents. And meanwhile I was starting to have other doubts about the idea. Could I master so much technology — I’m a writer, not an engineer — and could I write about it in a way that wouldn’t be horribly dry?

So, I set that plan aside. Instead I decided to write a series of articles for this site, exploring the assumptions and ideas behind Civilization‘s view of history. And, as many of you doubtless remember, I did see that plan through. Yet I was never entirely happy with the articles that resulted, and today I’m less happy with them than ever. Building intellectual castles in the sky just isn’t what I’m best at as a writer. I’m better at telling exciting and interesting stories, sneaking the Big Ideas into the cracks and crevices of the narrative.

Regardless, I made a resolution after I finished the Civilization series to buckle back down here in my wheelhouse of gaming history. But many of you who do creative work probably know how that sort of thing goes. That little muse, once she starts talking to you, is impossible to silence. I still wanted to try another sort of writing, and the Civilization series hadn’t done much to scratch that itch. I finally realized there was only one way to be free of her nagging. I started planning a second site once again, even as I still cast about for just the right approach.

For a time, my plan was to write nothing less than a general history of all human civilization, a sort of 21st-century answer to Will Durant. I still find that idea inordinately appealing in some ways, but the more I thought about it, the more concerns I started to have. If such a project was not to take dozens of lifetimes to complete, it would have to be written in a very summarized way. Could such summaries really satisfy my itch to write personal stories full of plots twists and drama? I also was aware that this type of a history could all too easily become a long narrative of war and oppression, of all the worst sides of humanity. I realized that I’d rather focus on the instances of hope and beauty that occasionally rise above that ugly tumult, reflecting the best rather than the worst in us.

At last, I realized that what I was looking for had been in front of me all the time in Civilization: the wonders of the world. These big, singular achievements all have rich, deeply human stories behind them, and I can’t wait to tell them. I don’t necessarily intend to slavishly follow Civilization‘s set of wonders, merely to use the idea as my guide. It’s a less conceptually ambitious approach than some of the other ones I’ve kicked around, but I think it’s exactly the right one for me, given my strengths and weaknesses as a writer. I hope and — in my more self-confident moments anyway — believe that I can do a fantastic job with it. At any rate, I need to try if I’m not to wonder forevermore whether I could have pulled it off.

Now, to speak more directly to you, the readers of this site:

When I’ve wandered off into digressive territory on this site in the past, it’s gotten a mixed reaction: some really liked these changes of pace, some just wanted me to get back to computers and the games they play. This latter is a perfectly reasonable point of view to hold, and I’ll try to dissuade you from it only to the extent of suggesting that you at least have a peek at the new site, just to see if it catches your interest. If the answer is no, fair enough. For you, this announcement today will come as a bit of a disappointment, as it means fewer of the type of articles you do enjoy. I won’t try to spin that into a positive thing. I just hope you’ll be patient with me and my muse, and will want to continue to read and support The Digital Antiquarian on this somewhat slower schedule. Who knows? Maybe having another writerly outlet will make the articles I do write here better. (Oh, yes, I did promise not to spin, didn’t I?)

If, on the other hand, you’re excited by what you see on The Analog Antiquarian, we’ve just arrived at the awkward part of this announcement — the one where I have to ask for your help. The new site is an experiment. In light of all the angst that I went through getting to this point, I’m committed to giving it a good solid try, but the fact remains that each article there demands even more time than each one here; I just can’t continue to do it forever unless I can build a reasonable income from it. I’ve therefore set up a second Patreon campaign for the new site. Please do think about pitching in whatever you can afford and whatever you think the work is worth. (I wish I didn’t have to ask you to sign up for a whole new Patreon, but there just isn’t any alternative. Patreon unfortunately doesn’t offer any way to opt-in for some types of content but not others within a single campaign.) I would be eternally grateful for your support, which, there as here, will let me do the work I love and also put something of real positive value into the world at the same time.

And finally, there is one other thing I would ask of you — even of those of you who aren’t particularly interested in the new site. If you know anyone personally or have social-media circles that might really dig the new content, please do let them know. Establishing a new site on the crowded Internet is hard, and it’s made even harder when you’re a social-media hermit like I am. I’d be ever so grateful for any help you could give in getting the word out.

I think that’s about all I need to say here. You can read more justifications and explanations in the new site’s introductory article and its Patreon page. Again, I hope some of you will find the topics I’ll be tackling on it as exciting as I do, and hope to see some familiar names turn up there. And I hope to see all of you back here next Friday, for the next serving of Digital Antiquaria. Thank you for being the best readers in the world.

 

What’s in a Subtitle?

Sharp-eyed readers may have already noticed that I’ve changed the subtitle of this blog from “a history of computer entertainment” to “a history of computer entertainment and digital culture.” This is not so much indicative of any change in focus as it is a better description of what this blog has always been. I’ve always made space for aspects of what we might call “creative computing” that aren’t games, from electronic literature to the home-computer wars, from the birth of hypertext to early online culture, from influential science fiction to important developments in programming, and that will of course continue.

That is all. Carry on.

 

Ebooks and Future Plans

I’m afraid I don’t have a standard article for you this week. I occasionally need to skip a Friday to store up an independent writer’s version of vacation time, and the beginning of a five-Friday month like this one is a good time to do that. That said, this does make a good chance to give you some updates on the latest goings-on here at Digital Antiquarian World Headquarters, and to solicit some feedback on a couple of things that have been on my mind of late. So, let me do that today, and I’ll be back with the usual fare next Friday. (Patreon supporters: don’t worry, this meta-article’s a freebie!)

First and foremost, I’m pleased to be able to release the latest volume of the growing ebook collection compiling the articles on this site, this one centering roughly — even more roughly than usual, in fact — on 1991. Volume 13 has been a long time coming because the last year has brought with it a lot of longer, somewhat digressive series on topics like Soviet computing and the battle over Tetris, the metamorphosis of Imagine Software into Psygnosis, the world of pre-World Wide Web commercial online services, and of course my recently concluded close reading of Civilization, along with the usual singletons on individual games and related topics. This ebook is by far the fattest one yet, and I think it contains some of the best work I’ve ever done; these are certainly, at any rate, some of the articles I’ve poured the most effort into. As usual, it exists only thanks to the efforts of Richard Lindner. He’s outdone himself this time, even providing fresh cover art to suit what he described to me as the newly “glamorous, visual” era of the 1990s. If you appreciate being able to read the blog in this way, feel free to send him a thank-you note at the email address listed on the title page of the ebook proper.

Next, I want to take this opportunity to clear up the current situation around Patreon, something I’ve neglected to do for an unconscionably long time. Many of you doubtless remember the chaos of last December, when Patreon suddenly announced changes to their financial model that would make a blog like this one, which relies mostly on small donations, much less tenable. I scrambled to find alternatives to Patreon for those who felt (justifiably) betrayed by the changes, and had just about settled on a service called Memberful when Patreon reversed course and went back to the old model after a couple of weeks of huge public outcry.

Despite sending some mixed messages in the weeks that followed that reversal, I haven’t ever implemented Memberful as an alternative funding model due to various nagging concerns: I’m worried about tech-support issues that must come with a bespoke solution, not happy about being forced to sell monthly rather than per-article subscriptions (meaning I have to feel guilty if due to some emergency I can’t publish four articles in any given month), and concerned about the complication and confusion of offering two separate subscription models — plus PayPal! — as funding solutions (just writing a FAQ to explain it all would take a full day or two!). In addition, a hard look at the numbers reveals that a slightly higher percentage of most pledges would go to third parties when using Memberful than happens with Patreon. It’s for all these reasons that, after much agonized back-and-forthing, I’ve elected to stay the course with Patreon alone as my main funding mechanism, taking them at their word that they’ll never again do do anything like what they did last December.

I do understand that some of you are less inclined to be forgiving, which is of course your right. For my part, even the shenanigans of last December weren’t quite enough to destroy the good will I have toward Patreon for literally changing my life by allowing me to justify devoting so much time and energy to this blog. (They were of course only the medium; I’m even more grateful to you readers!) At any rate, know that except for that one blip Patreon has always treated me very well, and that their processing fees are lower than I would pay using any other subscription service. And yeah, okay… maybe also keep your fingers crossed that I’ve made the right decision in giving them a second chance before I hit the panic button. Fool me once…

So, that’s where we stand with the Patreon situation, which can be summed up as sticking with the status quo for now.  But it’s not the only thing I’ve been a bit wishy-washy about lately…

As a certain recent ten-article series will testify, I fell hard down the Civilization rabbit hole when I first began to look at that game a year or so ago. I’ve spent quite some time staring at that Advances Chart, trying to decide what might be there for me as a writer. I’m very attracted to the idea of writing some wider-scale macro-history in addition to this ongoing micro-history of the games industry, as I am by the idea of writing said history in terms of achievement and (largely) peaceful progress as opposed to chronicles of wars and battles won and lost.  Still, I’ve struggled to figure out what form it all should take.

My first notion was to start a second blog. It would be called — again, no surprise here for readers of my Civilization articles! — The Narrative of Progress, and would be structured around an Advances Chart similar but not identical to the one in the Civilization box. (Intriguing as it is, the latter also has some notable oddities, such as its decision to make “Alphabet” and “Writing” into separate advances; how could you possibly have one without the other?) I even found a web developer who did some work on prototyping an interactive, dynamically growing Advances Chart with links to individual articles. But we couldn’t ever come up with anything that felt more intuitive and usable than a traditional table of contents, so I gave up on that idea. I was also concerned about whether I could possibly handle the research burden of so many disparate topics in science, technology, and sociology — a concern which the Civilization close reading, over the course of which I made a few embarrassing gaffes which you readers were kind enough to point out to me, has proved were justified.

But still I remain attracted to the idea of doing a different kind of history in addition to this gaming history. Lately, I’ve gravitated to the Wonders of the World. In fact, Civilization prompted my wife Dorte and I to take a trip to Cairo just a month ago — a crazy place, let me tell you! — to see the Pyramids, the Egyptian Museum, and other ancient sites. I think I could do a great job with these topics, as they’re right in my writerly wheelhouse of readable narrative history, and it would be hard to go wrong with stories as fascinating as these. Up until just a couple of weeks ago I had schemed about doing these kinds of stories on this site, but finally had to give it up as well as the wrong approach. I would have to set up a second Patreon anyway, as I couldn’t possibly expect people who signed up to support a “history of interactive entertainment” to support this other stuff as well, and running two Patreons and two parallel tracks out of a single WordPress blog would just be silly.

All of which is to say that I’m as undecided as ever about this stuff. I know I’d like to do some wider-frame historical writing at some point, almost certainly hosted at a different site, but I don’t know exactly when that will be or what form it will take. Would you be interested in reading such a thing? I’d be interested to hear your opinions and suggestions, whether in the comments below or via email.

Whatever happens, rest assured that I remain committed to this ongoing history as well; the worst that might result from a second writing project would be a somewhat slower pace here. I’m occasionally asked how far I intend to go with this history, and I’ve never had a perfect answer. A few years ago, I thought 1993’s Doom might be a good stopping place, as it marked the beginning of a dramatic shift in the culture of computer games. But the problem with that, I’ve come to realize, is that it did indeed only mark the beginning of a shift, and to stop there would be to leave countless threads dangling. These days, the end of the 1990s strikes me as a potential candidate, but we’ll see. At any rate, I don’t have plans for stopping anytime soon — not as long as you’re still willing to read and support this work. Who knows, maybe we’ll make it all the way to 2018 someday.

In that meantime, a quick rundown of coming attractions for the historical year of 1992. (If you want to be completely surprised every week, skip this list!)

  • Jeff Tunnell’s hugely influential physics puzzler The Incredible Machine
  • the seminal platformer Another World, among other things a beautiful example of lyrical nonverbal storytelling
  • a series on the evolution of Microsoft Windows, encompassing the tangled story of OS/2, the legal battle with Apple over look-and-feel issues, and those Windows time-wasters, like Solitaire, Minesweeper, and Hearts, that became some of the most-played computer games in history
  • William Gibson’s experimental poem-that-destroys-itself Agrippa
  • Shades of Gray, an underappreciated literary statement in early amateur interactive fiction which came up already in my conversation with Judith Pintar, but deserves an article of its own
  • Legend’s two Gateway games
  • Indiana Jones and the Fate of Atlantis
  • Electronic Arts in the post “rock-star” years, Trip Hawkins’s departure, and the formation of 3DO
  • The Lost Files of Sherlock Holmes, which might just be my all-time favorite Holmes game
  • Interplay’s two Star Trek graphic adventures
  • the adventures in Sierra’s Discovery line of games for children, which were better than most of their adult adventure games during this period
  • Quest for Glory III and IV
  • the strange story behind the two Dune games which were released back-to-back in 1992
  • Star Control II
  • Ultima Underworld and Ultima VII
  • Darklands

Along with all that, I’ve had a great suggestion from Casey Muratori — who, incidentally, was also responsible for my last article by first suggesting I take a closer look at Dynamix’s legacy in narrative games — to write something about good puzzles in adventure games. I’ve long been conscious of spending a lot more time describing bad puzzles in detail than I do good ones. The reason for this is simply that I hesitate to spoil the magic of the good puzzles for you, but feel far less reluctance with regard to the bad ones. Still, it does rather throw things out of balance, and perhaps I should do something about that. Following Casey’s suggestion, I’ve been thinking of an article describing ten or so good puzzles from classic games, analyzing how they work in detail and, most importantly, why they work.

That’s something on which I could use your feedback as well. When you think of the games I’ve written about so far on this blog, whether textual or graphical, is there a puzzle that immediately springs to mind as one that you just really, really loved for one reason or another? (For me, just for the record, that puzzle is the T-removing machine from Leather Goddesses of Phobos.) If so, feel free to send it my way along with a sentence or two telling me why, once again either in the comments below or via private email. I can’t promise I can get to all of them, but I’d like to assemble a reasonable selection of puzzles that delight for as many different reasons as possible.

Finally, please do remember that I depend on you for support in order to continue doing this work. If you enjoy and/or find something of value in what I do here, if you’re lucky enough to have disposable income, and if you haven’t yet taken the plunge, please do think about signing up as a Patreon supporter at whatever level strikes you as practical and warranted. I run what seems to be one of the last “clean” sites on the Internet — no advertisements, no SEO, no personal-data-mining, no “sponsored articles,” just the best content I can provide — but that means that I have to depend entirely upon you to keep it going. With your support, we can continue this journey together for years to come.

And with that, I’ll say thanks to all of you for being the best readers in the world and wish you a great weekend. See you next week with a proper article!

 

Memos from Digital Antiquarian Corporate Headquarters, June 2017 Edition

From the Publications Department:

Those of you who enjoy reading the blog in ebook format will be pleased to hear that Volume 12 in that ongoing series is now available, full of articles centering roughly on the year 1990. As usual, the ebook is entirely the work of Richard Lindner. Thank you, Richard!

From the Security Department:

A few days ago, a reader notified me of an alarming development: he was getting occasional popup advertisements for a shady online betting site when he clicked article links within the site. Oddly enough, the popups were very intermittent; in lots of experimenting, I was only able to get them to appear on one device — an older iPad, for what it’s worth — and even then only every tenth or twelfth time I tapped a link. But investigation showed that there was indeed some rogue JavaScript that was causing them. I’ve cleaned it up and hardened that part of the site a bit more, but I remain a little concerned in that I haven’t identified precisely how someone or something got access to the file that was tampered with in the first place. If anything suspicious happens during your browsing, please do let me know. I don’t take advertisements of any sort, so any that you see on this site are by definition a security breach of some sort. In the meantime, I’ll continue to scan the site daily in healthily paranoid fashion. The last I thing I want is a repeat of the Great Handbag Hack of 2012. (Do note, however, that none of your Patreon or PayPal information is stored on the site, and the database containing commenters’ email addresses has remained uncompromised — so nothing to worry too much over.)

From the Scheduling Department:

I’ve had to skip publishing an article more weeks than I wanted to this year. First I got sick after coming home from my research trip to the Strong Museum in Rochester, New York. Then we moved (within Denmark) from Odense to Aarhus, and I’m sure I don’t need to tell most of you what a chaotic process that can be. Most recently, I’ve had to do a lot more research than usual for my next subject; see the next two paragraphs for more on that. In a couple of weeks my wife and I are going to take a little holiday, which means I’m going to have to take one more bye week in June. After that, though, I hope I can settle back into the groove and start pumping out a reliable article every week for a while. Thanks for bearing with me!

From the Long-Term-Planning Department:

I thought I’d share a taste of what I plan to cover in the context of 1991 — i.e., until I write another of these little notices to tell you the next ebook is available. If you prefer that each new article be a complete surprise, you’ll want to skip the next paragraph.

(Spoiler Alert!)

I’ve got a series in the works for the next few weeks covering the history of computing in the Soviet Union, culminating in East finally meeting West in the age of Tetris. I’m already very proud of the articles that are coming together on this subject, and hope you’re going to find this little-known story as fascinating as I do. Staying with the international theme, we’ll then turn our attention to Britain for a while; in that context, I’m planning articles on the great British tradition of open-world action-adventures, on the iconic software house Psygnosis, and finally on Psygnosis’s most enduring game, Lemmings. Then we’ll check in with the Amiga 3000 and CDTV. I’m hoping that Bob Bates and I will be able to put together something rather special on Timequest. Then some coverage of the big commercial online services that predated the modern World Wide Web, along with the early experiments with massively multiplayer games which they fostered. We’ll have some coverage of the amateur text-adventure scene; 1991 was a pretty good year there, with some worthy but largely forgotten games released. I may have more to say about the Eastgate school of hypertext, in the form of Sarah Smith’s King of Space, if I can get the thing working and if it proves worthy of writing about. Be that as it may, we’ll definitely make time for Corey Cole’s edutainment classic The Castle of Dr. Brain and other contemporary doings around Sierra. Then we’ll swing back around to Origin, with a look at the two Worlds of Ultima titles — yes, thanks to your recommendations I’ve decided to give them more coverage than I’d originally planned — and Wing Commander II. We’ll wrap up 1991 with Civilization, a game which offers so much scope for writing that it’s a little terrifying. I’m still mulling over how best to approach that one, but I’m already hugely looking forward to it.

(End Spoilers)

From the Accounting Department:

I’ve seen a nice uptick in Patreon participation in recent months, for which I’m very grateful. Thank you to every reader who’s done this writer the supreme honor of paying for the words I scribble on the (virtual) page, whether you’ve been doing so for years or you just signed up yesterday.

If you’re a regular reader who hasn’t yet taken the plunge, please do think about supporting these serious long-form articles about one of the most important cultural phenomenons of our times by signing up as a Patreon subscriber or making a one-time donation via the links to the right. Remember that I can only do this work thanks to the support of people just like you.

See you Friday! Really, I promise this time…

 

A Little Status Update

As the subject line says, just wanted to let you all know about the latest goings-on here at Digital Antiquarian corporate headquarters. My Patreon supporters know already that I visited Rochester a couple of weeks ago to spend more time in the archives of the Strong Museum of Play. This time I spent an entire week going through their recently acquired collection of papers from Brian Fargo and Interplay. What I’ve come back with will do a lot to inform future articles. It’s really interesting and occasionally exciting stuff.

Unfortunately, everything went a little sidewise on the week of my return. I came back sick — it was cold in Rochester, even compared to Denmark! — and then my wife Dorte had a bunch of complications from a root canal and ended up having to spend a night in the hospital. So, we made something of a sorry pair last week. I guess we’ve had a little preview of what it will be like when we’re a decrepit old couple.

We’re both doing better now, but I did lose a lot of working time. What that means for you is that what I had originally planned as a one-week hiatus somewhere around this time has turned into a two-week hiatus. I did write an article this week, but my approach for the last year or so has been to hold articles for a week to look at them one more time with fresh eyes prior to publication, and I’d like to get back to that rather than jump the gun now; I think it’s really done a lot for the end result, even as you all continue to help me with the typos and small errors that do creep in in spite of my best efforts. Just bear with me for one more week, then, and all will be back to normal.

Thanks as always for your support!